Category — Band & Music

Here it is y’all, episode 002 of LansingNext, starring Julielyn Gibbons and myself.  For those that don’t know about the show yet, here’s the skinny:

A weekly Internet talk show focusing on the people, issues and events affecting Lansing’s next generation.

We recorded this Monday night and we totally hit it out of the park. It was the exact opposite of how the recording of the first show went (there was a bit of a learning curve for JL and I). This episode was recorded “live on tape,” meaning we did everything in order as if it was going out live. The first show was done out of sequence and sort of pieced together.

In today’s episode, we talk about a super-high speed Google Internet fiber possibly coming to Michigan and Google Buzz in the first segment (I also make a reference to the film Short Circuit in hopes of explaining technology running amok to Julielyn).

After the break, we interview Chad Jordan of Cravings Popcorn, a company based right here in Lansing (Twitter, Facebook).

In the third segment, we chat with craftbeer enthusiast, John Palmer (Twitter, Facebook), about microbrews and beer breweries in Michigan (and I accuse Julielyn of setting the Guinness Brewery in Ireland on fire). I also share the legend of the Nain Rouge of Detroit.

Online security and such is the subject of the fourth segment, including Julielyn’s “Microphone Rule” when it comes to social networking. But, we shift gears and chat about the Team USA v. Team Canada ice hockey game. Which was AMAZING.

Our last segment features JL and I sharing favorite recipes and the always  popular, “What’s on Your iPod?” segment. JL picked “Call Me” by Blondie. My choice this week was a medley of music from the video game Contra, done as a high-energy heavy metal song by Lansing band Year 200x (Twitter, Facebook).

I believe that starting next week, the episodes will be hosted on TalkLansing.net and they’ll be on iTunes sooner than later.

To Listen: click on the gray play button below.

 

 LansingNext 2-24-10 [1:04:00m]: Play Now | Play in Popup | Download

To Download the MP3: Right Click on the Download link, choose Save Target As or Save Link As from the menu and then choose where to save the .MP3 on your hard drive.

Check our first episode here.

I sitting around Friday night, trying to learning Bowie’s Moonage Daydream on guitar (or something at least resembling it), when I had an idea:  what would happen if I ran my Nintendo DSi through a couple guitar effect pedals and then into my portable Marshall amp?

I had the portable amp out because I plan on dressing up as a Spider from Mars for an “intergalactic” birthday party (which is why I was learning Moonage Daydream).

This idea came to me when I was curious if I could run my iPod Shuffle or DSi through the amp in case I didn’t want to try and play the song.

I decided against the Shuffle quickly because it has “issues.” It is doing this thing where one of the sound channels keeps cutting in and out and it is very sensitive to any cord movement–it pauses right away if the sound cord giggles too much.

So I went with the DSi.

I ran it through my distortion pedal and then my chorus pedal and messed with the tone and distortion on the amp itself.  It made for an interesting sound.

You can tweak the pitch and speed of the songs via the DSi, which I of course did. Listening to Rush’s Working Man sped up, distorted and in a chorus was  something out of this world.

I liked being able to tweak the output of the song live via the pedals and the DSi interface.

Does this have any sort of practical application? I doubt it, but it was fun.

The little Marshall, with its built in belt clip, makes for a great portable speaker if I need sound for a costume however.

I am going to have the guitar and amp with me for my costume and I am toying with attaching one of the pedals (maybe the distortion) somewhere on my costume, as the OD (overdrive) on the little amp leaves a lot to be desired.

An email from my dad:

Just got done reading your blog. Kudos.

Prior to that I was watching “Shine a Light” & had a thought. At my eulogy, you could open with:
My Dad & I were roadies for the Rolling Stones. He was in the pit, I was on sound crew. The stories
we could tell.

You can take it from there.

Have to get back to the garage to dry my wood.
dad

My dad is obsessed with having the coolest funeral ever. I’m not making this up. I have an envelope containing his final wishes.

Not that Dad is dying or anything.  He just believes in being prepared.

He also speaks the truth.  We were both “roadies” for the Rolling Stones half-time show at Super Bowl XL at Ford Field in Detroit.  He was part of the crew that assembled the stage and I was part of the team that setup the giant speakers and ran the connector cables to them.

The best part? I got to be on field during the few minutes of the 2nd and 4th quarters–and I was mere feet from the Seahawks and their cheerleaders. Dad and his crew were stuck in the bowels of Ford Field until half-time.

Here’s where we were:

I was on the side lines and dad was in the middle under the "tongue" of the stage. Image © original source.

As you can see, I was off to the side and dad was in the center of the action.  The cool part was that we got to go to Ford Field for dress rehearsal a few days before–and the Stones drove within a few feet of me on golf carts, smiling and waving to our team. Very cool.

That stage is actually a bunch of tall metal carts that had to be snapped together in very little time.

Being downtown for the Superbowl was magical.  Nothing else describes the feeling or look of the city.  People filled the streets and there were millions of interesting things going on around me.

It was worth getting a call from Dad at 6 AM on a Saturday morning telling me to go online and sign up to volunteer.

Mojo Nixon’s back baby, bigger than life and twice as crazy.

In perhaps the best news of 2009, Amazon has made most of Mojo Nixon’s albums available as free .MP3 downloads.  If you enjoy crazy rockabilly music, then look no further. Mojo does not disappoint. Heck, he even gets a shout out in the song Punk Rock Girl by the Dead Milkmen.

Oh and you might also remember him as Toad in the Super Mario Bros. Movie.

Or maybe that’s just me.

Anyway, most of his albums are hard to find in stores or online (at least in my experience), so do take this opportunity to enrich your musical library with such classics as Elvis is Everywhere or Don Henley Must Die.  I had the sheer luck of finding a new copy of Whereabouts Unknown at Flat Black and Circular in East Lansing about a year ago, and quickly purchased it.

I read this is in support of Mojo’s new release, Whiskey Rebellion, which is a neat concept–but given that Mojo hasn’t been in the eye of the mainstream for…uh…awhile, I can see why this happened.

Or better yet, in the man’s own words:

“Can’t wait for Washington to fix the economy. We must take bold action now. If I make the new album free and my entire catalog free it will stimulate the economy. It might even over-stimulate the economy. History has shown than when people listen to my music, money tends to flow to bartenders, race tracks, late night greasy spoons, bail bondsman, go kart tracks, tractor pulls, football games, peep shows and several black market vices. My music causes itches that it usually takes some money to scratch.”

It interesting where the Internet leads us some times.

I saw a Twitter update by @gmcalpin (writer and artist of one of my favorite webcomics, Multiplex) about the metal band Mastodon allegedly scoring the upcoming film Jonah Hex (based on a comic). It lead to an article on Ain’t It Cool News (movie rumors and such).

I read the article and was amused, I enjoy Mastodon but realized I don’t own nearly enough of their music. I hopped over to YouTube and watched a few music videos and also listened to some other songs, sampling cuts from the albums Leviathan and Blood Mountain.

Realizing I still had an online gift certificate from my birthday, I decided to buy a Mastodon album (along with Pink Floyd’s Dark Side of the Moon on vinyl). But I couldn’t decide which to get–then a friend commented on my Facebook page that Crack the Skye was nothing short of amazing (a friend whose opinions I hold in high regard).

So, I ventured back to YouTube to listen to a few cuts from Crack the Skye and read a few online reviews. I quickly decided on ordering the album–and when it comes to bands like Mastodon, I really prefer having the original CD over .MP3s (because the music is complex and/or layered–things that can get lost when compressing music to .MP3s).

After clicking Finish My Order, I sat back and thought “What the heck just happened?” Over the span of maybe twenty minutes, I went from reading about Mastodon scoring an upcoming film to buying one of their albums, mainly on a whim.

It was an interesting string of events: I read the article, listened to songs online/watched videos, got a recommendation from a friend who lives in another city, read reviews and purchased an album. All without leaving my seat.

I guess this shows you can’t underestimate the advantages of people talking about your stuff on the Internet.

Also: My latest article for Lansing Capital Gains is now online.  It is about the Soup Spoon Cafe, a very tasty restaurant (good coffee too).

Last week, I had the joy of being a judge for the first ever Delta Township District Library Battle of the Bands (say that five times fast). I shared this honor with Lansing-area musician Ryan Knott, and we both had a great time. There were four bands–Alumenium, SOULvation Band, Don’t Ever Tell, and Commodore Cosmos. Ryan and I were tasked with deciding which band won the grand prize–8 hours of recording time at a local recording studio.

The bands ran a very eclectic gauntlet, from latin jazz to indie rock to worship Christian rock. Thankfully, there was an excellent turn out, a bit over 200 people–which was great for a library on a Thursday night. Ryan and I each had score sheets and took notes while each band played, and we were also told to base our choice on crowd reaction (partially, anyway).

After the four sets, we made our choice–Alumenium, the latin jazz band. This was actually a pretty easy choice, because Alumenium just knocked it of the park from the get-go. They were a young group, which I think caused us (at least me) to underestimate them, but they were all great musicians.

My second choice was Commodore Cosmos, because I really enjoyed their lead singer’s presence and lyrics. Don’t Ever Tell was a decent pop-punk band (great drummer) and honestly, they were severely hurt by the lack of a quality sound system for the show (this event was the first of its kind, so that will be handled better if they decide to have another battle of the bands…and given the 200 or so folks that turned out, I think there’s a good chance there will be). I don’t really get worship music/Christan rock at all, so SOULvation Band, while good performers, wasn’t really my thing (although my favorite part of the evening was when the lead singer told the audience to “Get down with your GOOD self!”). And given the amount of fans singing along in the audience, SOULvation Band didn’t look like they were hurting for exposure.

What Ryan and I tried to base our final choice on was, which band would benefit the most from the studio recording time? Alumenium was definitely a band we could see doing some great stuff in the studio–especially since they were all pretty young and would only get better–and the type of layered music they did would work better in studio than live, I think.

This got me thinking: how many big bands/musicans have had a moment like this in their lives? I don’t know if it is me being egotistical or something, but I couldn’t help but wonder what effect I’ve had on the course of music history, for better or for worse. Likewise, say that by coming in second place, Commodore Cosmos decided to hone their chops even more and end up becoming the next big indie rock band (rejection is a great motivator, ask any writer with a stack of rejection letters. Or this other guy).

It makes you wonder (ok, maybe just me).